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authorRobert Jonsson <spamatica@gmail.com>2011-03-07 19:01:11 +0000
committerRobert Jonsson <spamatica@gmail.com>2011-03-07 19:01:11 +0000
commite40fc849149dd97c248866a4a1d026dda5e57b62 (patch)
treeb12b358f3b3a0608001d30403358f8443118ec5f /attic/muse2-oom/muse2/share/html
parent1bd4f2e8d9745cabb667b043171cad22c8577768 (diff)
clean3
Diffstat (limited to 'attic/muse2-oom/muse2/share/html')
-rw-r--r--attic/muse2-oom/muse2/share/html/CMakeLists.txt30
-rw-r--r--attic/muse2-oom/muse2/share/html/COPYING.html353
-rw-r--r--attic/muse2-oom/muse2/share/html/button_bar.jpgbin0 -> 13115 bytes
-rw-r--r--attic/muse2-oom/muse2/share/html/getting_started.html89
-rw-r--r--attic/muse2-oom/muse2/share/html/index.html66
-rw-r--r--attic/muse2-oom/muse2/share/html/installation.html64
-rw-r--r--attic/muse2-oom/muse2/share/html/invocation.html54
-rw-r--r--attic/muse2-oom/muse2/share/html/left_pane.jpgbin0 -> 24599 bytes
-rw-r--r--attic/muse2-oom/muse2/share/html/main_window.jpgbin0 -> 75510 bytes
-rw-r--r--attic/muse2-oom/muse2/share/html/main_window_track_info.jpgbin0 -> 84636 bytes
-rw-r--r--attic/muse2-oom/muse2/share/html/right_pane.jpgbin0 -> 34158 bytes
-rw-r--r--attic/muse2-oom/muse2/share/html/styles.css85
-rw-r--r--attic/muse2-oom/muse2/share/html/toc_.txt13
-rw-r--r--attic/muse2-oom/muse2/share/html/track_info.jpgbin0 -> 14003 bytes
-rw-r--r--attic/muse2-oom/muse2/share/html/window_ref.html180
15 files changed, 934 insertions, 0 deletions
diff --git a/attic/muse2-oom/muse2/share/html/CMakeLists.txt b/attic/muse2-oom/muse2/share/html/CMakeLists.txt
new file mode 100644
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--- /dev/null
+++ b/attic/muse2-oom/muse2/share/html/CMakeLists.txt
@@ -0,0 +1,30 @@
+#=============================================================================
+# MusE
+# Linux Music Editor
+# $Id:$
+#
+# Copyright (C) 2002-2006 by Werner Schweer and others
+#
+# This program is free software; you can redistribute it and/or modify
+# it under the terms of the GNU General Public License version 2.
+#
+# This program is distributed in the hope that it will be useful,
+# but WITHOUT ANY WARRANTY; without even the implied warranty of
+# MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+# GNU General Public License for more details.
+#
+# You should have received a copy of the GNU General Public License
+# along with this program; if not, write to the Free Software
+# Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+#=============================================================================
+
+file (GLOB html_files
+ *.css
+ *.html
+ *.jpg
+ toc_.txt
+ )
+
+install( FILES ${html_files}
+ DESTINATION ${MusE_DOC_DIR}/html
+ )
diff --git a/attic/muse2-oom/muse2/share/html/COPYING.html b/attic/muse2-oom/muse2/share/html/COPYING.html
new file mode 100644
index 00000000..86b6fa8e
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+++ b/attic/muse2-oom/muse2/share/html/COPYING.html
@@ -0,0 +1,353 @@
+<qt>
+<pre>
+ Note that the GPL below is copyrighted by the Free Software
+ Foundation, but the instance of code that it refers to (the
+ MusE music editor) is copyrighted by me and others who
+ actually wrote it.
+
+ Werner Schweer
+
+----------------------------------------
+
+ GNU GENERAL PUBLIC LICENSE
+ Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+ 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+ Preamble
+
+ The licenses for most software are designed to take away your
+freedom to share and change it. By contrast, the GNU General Public
+License is intended to guarantee your freedom to share and change free
+software--to make sure the software is free for all its users. This
+General Public License applies to most of the Free Software
+Foundation's software and to any other program whose authors commit to
+using it. (Some other Free Software Foundation software is covered by
+the GNU Library General Public License instead.) You can apply it to
+your programs, too.
+
+ When we speak of free software, we are referring to freedom, not
+price. Our General Public Licenses are designed to make sure that you
+have the freedom to distribute copies of free software (and charge for
+this service if you wish), that you receive source code or can get it
+if you want it, that you can change the software or use pieces of it
+in new free programs; and that you know you can do these things.
+
+ To protect your rights, we need to make restrictions that forbid
+anyone to deny you these rights or to ask you to surrender the rights.
+These restrictions translate to certain responsibilities for you if you
+distribute copies of the software, or if you modify it.
+
+ For example, if you distribute copies of such a program, whether
+gratis or for a fee, you must give the recipients all the rights that
+you have. You must make sure that they, too, receive or can get the
+source code. And you must show them these terms so they know their
+rights.
+
+ We protect your rights with two steps: (1) copyright the software, and
+(2) offer you this license which gives you legal permission to copy,
+distribute and/or modify the software.
+
+ Also, for each author's protection and ours, we want to make certain
+that everyone understands that there is no warranty for this free
+software. If the software is modified by someone else and passed on, we
+want its recipients to know that what they have is not the original, so
+that any problems introduced by others will not reflect on the original
+authors' reputations.
+
+ Finally, any free program is threatened constantly by software
+patents. We wish to avoid the danger that redistributors of a free
+program will individually obtain patent licenses, in effect making the
+program proprietary. To prevent this, we have made it clear that any
+patent must be licensed for everyone's free use or not licensed at all.
+
+ The precise terms and conditions for copying, distribution and
+modification follow.
+
+ GNU GENERAL PUBLIC LICENSE
+ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
+
+ 0. This License applies to any program or other work which contains
+a notice placed by the copyright holder saying it may be distributed
+under the terms of this General Public License. The "Program", below,
+refers to any such program or work, and a "work based on the Program"
+means either the Program or any derivative work under copyright law:
+that is to say, a work containing the Program or a portion of it,
+either verbatim or with modifications and/or translated into another
+language. (Hereinafter, translation is included without limitation in
+the term "modification".) Each licensee is addressed as "you".
+
+Activities other than copying, distribution and modification are not
+covered by this License; they are outside its scope. The act of
+running the Program is not restricted, and the output from the Program
+is covered only if its contents constitute a work based on the
+Program (independent of having been made by running the Program).
+Whether that is true depends on what the Program does.
+
+ 1. You may copy and distribute verbatim copies of the Program's
+source code as you receive it, in any medium, provided that you
+conspicuously and appropriately publish on each copy an appropriate
+copyright notice and disclaimer of warranty; keep intact all the
+notices that refer to this License and to the absence of any warranty;
+and give any other recipients of the Program a copy of this License
+along with the Program.
+
+You may charge a fee for the physical act of transferring a copy, and
+you may at your option offer warranty protection in exchange for a fee.
+
+ 2. You may modify your copy or copies of the Program or any portion
+of it, thus forming a work based on the Program, and copy and
+distribute such modifications or work under the terms of Section 1
+above, provided that you also meet all of these conditions:
+
+ a) You must cause the modified files to carry prominent notices
+ stating that you changed the files and the date of any change.
+
+ b) You must cause any work that you distribute or publish, that in
+ whole or in part contains or is derived from the Program or any
+ part thereof, to be licensed as a whole at no charge to all third
+ parties under the terms of this License.
+
+ c) If the modified program normally reads commands interactively
+ when run, you must cause it, when started running for such
+ interactive use in the most ordinary way, to print or display an
+ announcement including an appropriate copyright notice and a
+ notice that there is no warranty (or else, saying that you provide
+ a warranty) and that users may redistribute the program under
+ these conditions, and telling the user how to view a copy of this
+ License. (Exception: if the Program itself is interactive but
+ does not normally print such an announcement, your work based on
+ the Program is not required to print an announcement.)
+
+These requirements apply to the modified work as a whole. If
+identifiable sections of that work are not derived from the Program,
+and can be reasonably considered independent and separate works in
+themselves, then this License, and its terms, do not apply to those
+sections when you distribute them as separate works. But when you
+distribute the same sections as part of a whole which is a work based
+on the Program, the distribution of the whole must be on the terms of
+this License, whose permissions for other licensees extend to the
+entire whole, and thus to each and every part regardless of who wrote it.
+
+Thus, it is not the intent of this section to claim rights or contest
+your rights to work written entirely by you; rather, the intent is to
+exercise the right to control the distribution of derivative or
+collective works based on the Program.
+
+In addition, mere aggregation of another work not based on the Program
+with the Program (or with a work based on the Program) on a volume of
+a storage or distribution medium does not bring the other work under
+the scope of this License.
+
+ 3. You may copy and distribute the Program (or a work based on it,
+under Section 2) in object code or executable form under the terms of
+Sections 1 and 2 above provided that you also do one of the following:
+
+ a) Accompany it with the complete corresponding machine-readable
+ source code, which must be distributed under the terms of Sections
+ 1 and 2 above on a medium customarily used for software interchange; or,
+
+ b) Accompany it with a written offer, valid for at least three
+ years, to give any third party, for a charge no more than your
+ cost of physically performing source distribution, a complete
+ machine-readable copy of the corresponding source code, to be
+ distributed under the terms of Sections 1 and 2 above on a medium
+ customarily used for software interchange; or,
+
+ c) Accompany it with the information you received as to the offer
+ to distribute corresponding source code. (This alternative is
+ allowed only for noncommercial distribution and only if you
+ received the program in object code or executable form with such
+ an offer, in accord with Subsection b above.)
+
+The source code for a work means the preferred form of the work for
+making modifications to it. For an executable work, complete source
+code means all the source code for all modules it contains, plus any
+associated interface definition files, plus the scripts used to
+control compilation and installation of the executable. However, as a
+special exception, the source code distributed need not include
+anything that is normally distributed (in either source or binary
+form) with the major components (compiler, kernel, and so on) of the
+operating system on which the executable runs, unless that component
+itself accompanies the executable.
+
+If distribution of executable or object code is made by offering
+access to copy from a designated place, then offering equivalent
+access to copy the source code from the same place counts as
+distribution of the source code, even though third parties are not
+compelled to copy the source along with the object code.
+
+ 4. You may not copy, modify, sublicense, or distribute the Program
+except as expressly provided under this License. Any attempt
+otherwise to copy, modify, sublicense or distribute the Program is
+void, and will automatically terminate your rights under this License.
+However, parties who have received copies, or rights, from you under
+this License will not have their licenses terminated so long as such
+parties remain in full compliance.
+
+ 5. You are not required to accept this License, since you have not
+signed it. However, nothing else grants you permission to modify or
+distribute the Program or its derivative works. These actions are
+prohibited by law if you do not accept this License. Therefore, by
+modifying or distributing the Program (or any work based on the
+Program), you indicate your acceptance of this License to do so, and
+all its terms and conditions for copying, distributing or modifying
+the Program or works based on it.
+
+ 6. Each time you redistribute the Program (or any work based on the
+Program), the recipient automatically receives a license from the
+original licensor to copy, distribute or modify the Program subject to
+these terms and conditions. You may not impose any further
+restrictions on the recipients' exercise of the rights granted herein.
+You are not responsible for enforcing compliance by third parties to
+this License.
+
+ 7. If, as a consequence of a court judgment or allegation of patent
+infringement or for any other reason (not limited to patent issues),
+conditions are imposed on you (whether by court order, agreement or
+otherwise) that contradict the conditions of this License, they do not
+excuse you from the conditions of this License. If you cannot
+distribute so as to satisfy simultaneously your obligations under this
+License and any other pertinent obligations, then as a consequence you
+may not distribute the Program at all. For example, if a patent
+license would not permit royalty-free redistribution of the Program by
+all those who receive copies directly or indirectly through you, then
+the only way you could satisfy both it and this License would be to
+refrain entirely from distribution of the Program.
+
+If any portion of this section is held invalid or unenforceable under
+any particular circumstance, the balance of the section is intended to
+apply and the section as a whole is intended to apply in other
+circumstances.
+
+It is not the purpose of this section to induce you to infringe any
+patents or other property right claims or to contest validity of any
+such claims; this section has the sole purpose of protecting the
+integrity of the free software distribution system, which is
+implemented by public license practices. Many people have made
+generous contributions to the wide range of software distributed
+through that system in reliance on consistent application of that
+system; it is up to the author/donor to decide if he or she is willing
+to distribute software through any other system and a licensee cannot
+impose that choice.
+
+This section is intended to make thoroughly clear what is believed to
+be a consequence of the rest of this License.
+
+ 8. If the distribution and/or use of the Program is restricted in
+certain countries either by patents or by copyrighted interfaces, the
+original copyright holder who places the Program under this License
+may add an explicit geographical distribution limitation excluding
+those countries, so that distribution is permitted only in or among
+countries not thus excluded. In such case, this License incorporates
+the limitation as if written in the body of this License.
+
+ 9. The Free Software Foundation may publish revised and/or new versions
+of the General Public License from time to time. Such new versions will
+be similar in spirit to the present version, but may differ in detail to
+address new problems or concerns.
+
+Each version is given a distinguishing version number. If the Program
+specifies a version number of this License which applies to it and "any
+later version", you have the option of following the terms and conditions
+either of that version or of any later version published by the Free
+Software Foundation. If the Program does not specify a version number of
+this License, you may choose any version ever published by the Free Software
+Foundation.
+
+ 10. If you wish to incorporate parts of the Program into other free
+programs whose distribution conditions are different, write to the author
+to ask for permission. For software which is copyrighted by the Free
+Software Foundation, write to the Free Software Foundation; we sometimes
+make exceptions for this. Our decision will be guided by the two goals
+of preserving the free status of all derivatives of our free software and
+of promoting the sharing and reuse of software generally.
+
+ NO WARRANTY
+
+ 11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY
+FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN
+OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES
+PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED
+OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF
+MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS
+TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE
+PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING,
+REPAIR OR CORRECTION.
+
+ 12. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
+WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR
+REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES,
+INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING
+OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED
+TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY
+YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER
+PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+ END OF TERMS AND CONDITIONS
+
+ How to Apply These Terms to Your New Programs
+
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
+
+ To do so, attach the following notices to the program. It is safest
+to attach them to the start of each source file to most effectively
+convey the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+ <one line to give the program's name and a brief idea of what it does.>
+ Copyright (C) 19yy <name of author>
+
+ This program is free software; you can redistribute it and/or modify
+ it under the terms of the GNU General Public License as published by
+ the Free Software Foundation; either version 2 of the License, or
+ (at your option) any later version.
+
+ This program is distributed in the hope that it will be useful,
+ but WITHOUT ANY WARRANTY; without even the implied warranty of
+ MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+ GNU General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this program; if not, write to the Free Software
+ Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+
+
+Also add information on how to contact you by electronic and paper mail.
+
+If the program is interactive, make it output a short notice like this
+when it starts in an interactive mode:
+
+ Gnomovision version 69, Copyright (C) 19yy name of author
+ Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
+ This is free software, and you are welcome to redistribute it
+ under certain conditions; type `show c' for details.
+
+The hypothetical commands `show w' and `show c' should show the appropriate
+parts of the General Public License. Of course, the commands you use may
+be called something other than `show w' and `show c'; they could even be
+mouse-clicks or menu items--whatever suits your program.
+
+You should also get your employer (if you work as a programmer) or your
+school, if any, to sign a "copyright disclaimer" for the program, if
+necessary. Here is a sample; alter the names:
+
+ Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+ `Gnomovision' (which makes passes at compilers) written by James Hacker.
+
+ <signature of Ty Coon>, 1 April 1989
+ Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program into
+proprietary programs. If your program is a subroutine library, you may
+consider it more useful to permit linking proprietary applications with the
+library. If this is what you want to do, use the GNU Library General
+Public License instead of this License.
+</pre>
+</qt>
diff --git a/attic/muse2-oom/muse2/share/html/button_bar.jpg b/attic/muse2-oom/muse2/share/html/button_bar.jpg
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Binary files differ
diff --git a/attic/muse2-oom/muse2/share/html/getting_started.html b/attic/muse2-oom/muse2/share/html/getting_started.html
new file mode 100644
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--- /dev/null
+++ b/attic/muse2-oom/muse2/share/html/getting_started.html
@@ -0,0 +1,89 @@
+<qt bgcolor="#f4f4c8" title="MusE - The Linux (Midi) Music Editor">
+<center><h1>MusE - The Linux (Midi) Music Editor</h1></center>
+
+<h2>5. Getting Started</h2>
+<p>
+<h2>5.1 Creating A New Song</h2>
+<p>
+Here's a very short tutorial on how to create a new song from scratch.
+
+<p>
+
+<ol>
+ <li> Start MusE with the name of a new song (ie. a filename that doesn't
+already exist):
+<pre>
+ muse blues1.med
+</pre>
+Alternatively, start MusE and select <tt>File-&gt;New</tt>. The default song
+name is <tt>default</tt> and the first time you select <tt>File-&gt;Save</tt>,
+MusE asks you for a real name.
+
+ <li> Select a song type from the <tt>Type</tt> pulldown menu in the
+Toolbar. This selects the capabilities of your MIDI hardware (either
+NO, GM, GS, or XG).
+
+ <li> Doubleclick on the first empty track to create a new track.
+ <li> Select the MIDI channel for the new track; click with the right mouse
+button on Ch column in the track list to increment channel nummber, click
+with middle mouse button to decrement.
+ <li> If the TrackInfo window is not visible, press TrackInfo.
+ <li> Select a MIDI instrument for the MIDI channel of your new track.
+ <li> Click with the middle mouse button on ruler to set left locator mark.
+ <li> Click with the right mouse button on the ruler to set right locator mark.
+<b>Note:</b> The right mark must be set to the right of the left mark.
+ <li> Double click between the left and right locators on first track to
+create a new part, <b>or</b> select the Pencil tool and draw with the left
+mouse button pressed to create a new part.
+</ol>
+
+<p>
+<h2>5.2 Recording Events</h2>
+<p>
+<b>Entering Notes Manually</b>
+
+<ol>
+ <li> Select Pointer tool from toolbar
+ <li> Double click on part in part canvas to start the pianoroll editor
+ <li> Select Pencil tool from toolbar in the pianoroll editor
+ <li> Now you can draw events into the event canvas
+</ol>
+
+<p>
+<b>Play The Notes</b>
+
+<ol>
+ <li> Click with middle mouse button on ruler to set left locator mark
+ <li> Click with right mouse button on ruler to set right locator mark
+ <li> Note: right mark must be set right to left mark
+ <li> Click with left mouse button on ruler to set current position between left and right locator
+ <li> Select "loop" in the transport toolbar
+ <li> Press play to start sequencer
+ <li> You can enter new notes while the sequencer is playing
+</ol>
+
+<p>
+<b>Some Hints</b>
+
+<ol>
+ <li> You can "play" in realtime on the piano keyboard on the left side of the pianoroll editor
+ <li> You can change Channel Info and Track Info values during play
+</ol>
+
+<p>
+<h2>5.3 Step Recording</h2>
+<p>
+<ol>
+ <li> Start the pianoroll editor
+ <li> Click with left mouse button on ruler to set current position to the start position of your recording
+ <li> Set the Snap value to the step distance
+ <li> Set the Quantize value to the length of the notes to record
+ <li> Enter step record mode by pressing the "S" toolbar button
+ <li> Every click on the piano keyboard records a note with "Quantize" len and advances the current record position to
+ <li> The next "Snap" position
+ <li> Shift+click records a note without advancing the current record position
+ <li> Change the current position with the cursor keys
+ <li> Shift+space inserts a gap; all notes to the right of the current position move to the next snap position
+</ol>
+
+</qt>
diff --git a/attic/muse2-oom/muse2/share/html/index.html b/attic/muse2-oom/muse2/share/html/index.html
new file mode 100644
index 00000000..c2e5b6a7
--- /dev/null
+++ b/attic/muse2-oom/muse2/share/html/index.html
@@ -0,0 +1,66 @@
+<html>
+<center><h1>MusE - The Linux Music Editor</h1></center>
+<p>
+<h2>About MusE</h2>
+
+MusE is a multitrack virtual studio for Linux that has support
+for sequencing of both midi and audio and has, among other things,
+support for LADSPA, Jack and ALSA. <br>
+MusE is written by Werner Schweer and others and is published under the
+<a href="COPYING.html"> GNU General Public License</a>.
+The latest release of MusE and the <b>up2date documentation</b> can be found at the MusE hompage:
+<a href="http://www.muse-sequencer.org/">http://www.muse-sequencer.org/</a>.
+<br>
+<br>
+This is the old manual of the 0.6.3 release but there is already a new one in development, try this:
+<a href="http://www.muse-sequencer.org/wiki/index.php/Manual">http://www.muse-sequencer.org/wiki/index.php/Manual</a>
+
+<p>
+<h2>1. Introduction (still to be written)</h2>
+
+<p>
+<h2>2. <a href="installation.html">Installation</a></h2>
+<ul>
+ <li>2.1 How to Obtain MusE
+ <li>2.2 System Requirements
+ <li>2.3 Compiliation and Installation
+</ul>
+
+<p>
+<h2>3. <a href="invocation.html">Invoking MusE</a></h2>
+<ul>
+ <li>3.1 Invoking MusE
+ <li>3.2 Command Line Options
+ <li>3.3 File Types Recognized by MusE
+</ul>
+
+<p>
+<h2>4. <a href="window_ref.html">Window Reference Guide</a></h2>
+<ul>
+ <li>4.1 The Main Window
+ <li>4.2 The Arranger
+ <li>4.2.1 The Left Pane
+ <li>4.2.1.1 Track Info
+ <li>4.2.2 The Right Pane
+
+ <li>4.3 The Button Bar &amp; Menus
+</ul>
+
+<p>
+<h2>5. <a href="getting_started.html">Getting Started</a></h2>
+<ul>
+ <li>5.1 Creating A New Song
+ <li>5.2 Recording Events
+ <li>5.3 Step Recording
+</ul>
+
+<p>
+<h2>6. Mixer Automation (still to be written)</h2>
+<ul>
+ <li>6.1 Record Automation Events (still to be written)
+</ul>
+
+
+<p>
+<h2>Glossary (still to be written)</h2>
+</html>
diff --git a/attic/muse2-oom/muse2/share/html/installation.html b/attic/muse2-oom/muse2/share/html/installation.html
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+<qt bgcolor="#f4f4c8" title="MusE - The Linux (Midi) Music Editor">
+<center><h1>MusE - The Linux (Midi) Music Editor</h1></center>
+
+<h2>2. Installation</h2>
+<p>
+<h2>2.1 How to Obtain MusE</h2>
+MusE is available at the MusE Homepage, located at
+<a href="http://www.muse-sequencer.org/">http://www.muse-sequencer.org/</a>.
+Download the latest non-beta release and follow the
+installation instructions below.
+
+<h2>2.2 System Requirements</h2>
+To run MusE on your workstation, the following conditions must be met:
+<ul>
+ <li>A GNU/Linux distribution (Red Hat, Debian, etc.)
+ <li>A working windowing system (most likely X Windows)
+ <li>qt 2.2 (<a href="http://www.trolltech.com/products/qt">http://www.trolltech.com/products/qt</a>)
+ <li>gcc 2.95.2 (<a href="http://www.gnu.org/software/gcc/gcc.html">http://www.gnu.org/software/gcc/gcc.html</a>)
+ <li>glibc 2.1 (<a href="http://ftp.gnu.org/gnu/glibc">http://ftp.gnu.org/gnu/glibc</a>)
+ <li>Linux kernel configured with RealTimeClock support (<tt>/dev/rtc</tt>)
+ <li>ALSA (Advanced Linux Sound Architecture) 0.5.9c (it should work with standard OSS drivers as well)
+ <li>an external midi device
+</ul>
+
+<h2>2.3 Compiliation and Installation</h2>
+Unpack the newly-downloaded tarball into a directory and edit
+the file <tt>make.inc</tt>.
+<p>
+The most important variables to set in this file are:
+<ul>
+ <li>QTDIR
+ <li>ALSA
+ <li>OSS
+</ul>
+
+Point <tt>QTDIR</tt> to where your QT libraries are installed.
+<tt>ALSA</tt> and <tt>OSS</tt> are boolean values (ie. <tt>yes</tt>
+or <tt>no</tt>) that tell MusE how to handle Midi and Audio on your
+system. It is safe to say <tt>yes</tt> to both.
+<p>
+A sample config:
+<p>
+<pre>
+ QTDIR = /usr/local/qt
+ ALSA = no
+ OSS = yes
+</pre>
+
+<p>
+When done, save <tt>make.inc</tt> and run the following commands:
+<pre>
+ make depend
+ make
+ make install
+</pre>
+
+<p>
+Note that <tt>make install</tt> will ask for the <tt>root</tt> password,
+as MusE is installed as a setuid-root binary. Setuid-root is needed to allow
+MusE to get proper timing functions from the Linux kernel.
+<p>
+<b>Hint:</b> To get even better timing than that, run MusE with the -R option.
+
+</qt>
diff --git a/attic/muse2-oom/muse2/share/html/invocation.html b/attic/muse2-oom/muse2/share/html/invocation.html
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+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+<head>
+ <title>MusE: Linux Music Editor</title>
+ <link rel="stylesheet" type="text/css" href="styles.css">
+</head>
+
+<body>
+<center><h1>MusE - The Linux (Midi) Music Editor</h1></center>
+
+<h2>3. Invoking MusE</h2>
+<p>
+<h2>3.1 Invoking MusE</h2>
+MusE is invoked from the command line by typing in:
+<pre>
+ <tt>muse</tt>
+</pre>
+
+Optionally, you can use command line options of the form:
+
+<pre>
+ muse &lt;options&gt; &lt;midifile&gt;
+</pre>
+
+&lt;options&gt; : see section 3.2 below for details on options.
+&lt;midifile&gt; can be either a standard MIDI file or a MusE
+file (*.med, *.med.gz or *.med.bz2).
+
+<h2>3.2 Command Line Options</h2>
+<p>
+MusE accepts some options as listed below:
+<pre>
+ -v print version
+ -d debug mode: no threads
+ -D debug mode: enable some debug messages
+ -m debug mode: trace midi Input
+ -M debug mode: trace midi Output
+ -s debug mode: trace sync
+ -R enable real time scheduling
+</pre>
+
+<h2>3.3 File Types Recognized by MusE</h2>
+<p>
+<table border=1 cellpadding=5>
+<tr><td><tt>~/.MusE<td>MusE Configuration File ("~" refers to your home directory)
+<tr><td><tt>.musePrj<td>Hidden Project File; stores list of last projects
+<tr><td><tt>*.med<td>MusE song file; internal MusE format
+<tr><td><tt>*.mid<td>midi file; can be imported
+<tr><td><tt>*.kar<td>karaoke: midi file with additional information; some types can be imported
+</table>
+<p>
+With adding the additional extensions <tt>.gz</tt> or <tt>.bz2</tt>
+you can read or write compressed files.
+
+</qt>
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+:link { color: #091cef; }
+:visited { color: #091cef; }
+
+body {
+ background: #eeeeee;
+ color: #00;
+ font-family: Arial, Geneva;
+ font-size: 10pt;
+ }
+h1.head {
+ margin: 0.05em 0.3em;
+ font-family: Arial, helvetica, sans-serif;
+ color: #091cef;
+ }
+td.head {
+ background: #aeb3e8;
+ color: #091cef;
+ }
+td.nav {
+ background: #aeb3e8;
+ color: #000;
+ }
+td.ld {
+ background: #aeb3e8;
+ valign: top;
+ width: 60;
+ font-weight: bold;
+ }
+td.lh {
+ background: #aeb3e8;
+ }
+td.lb {
+ background: #ced1e2;
+ }
+
+h3.navhead {
+ margin-top: 0.2em;
+ margin-bottom: 0em;
+ font-size: small;
+ font-family: Verdana, Geneva, Arial, sans-serif;
+ }
+
+.navlink {
+ font-size: small;
+ font-family: Verdana, Geneva, Arial, sans-serif;
+ }
+
+p, input {
+ font-family: Arial, Geneva;
+ font-size: 10pt;
+}
+
+b {
+ font-family: Arial, Geneva;
+ font-size: 10pt;
+ font-weight: bold;
+}
+
+h1 {
+ font-family: Arial, Geneva;
+ font-size: 24pt;
+ font-weight: bold;
+}
+h2 {
+ font-family: Arial, Geneva;
+ font-size: 18pt;
+ font-weight: bold;
+}
+
+a {
+ font-family: Arial, Geneva;
+ font-size: 12pt;
+}
+
+th {
+ font-family: Arial, Geneva;
+ font-size: 10pt;
+
+}
+
+td {
+ font-family: Arial, Geneva;
+ font-size: 12pt;
+ color: #000000;
+ }
diff --git a/attic/muse2-oom/muse2/share/html/toc_.txt b/attic/muse2-oom/muse2/share/html/toc_.txt
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+"Glossary" "glossary.html"
+"Getting Started" "getting_started.html"
++"Window Reference Guide" "window_ref.html"
+ +"The Arranger" "window_ref.html"
+ "The Button Bar & Menus" "window_ref.html"
+ "The Right Pane" "window_ref.html"
+ +"The Left Pane" "window_ref.html"
+ "Track Info" "window_ref.html"
+ "The Main Window" "window_ref.html"
+"Invoking MusE" "invocation.html"
+"Installation" "installation.html"
+"Introduction" "introduction.html"
+"Index" "index.html"
diff --git a/attic/muse2-oom/muse2/share/html/track_info.jpg b/attic/muse2-oom/muse2/share/html/track_info.jpg
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+<qt bgcolor="#f4f4c8" title="MusE - The Linux (Midi) Music Editor">
+<center><h1>MusE - The Linux (Midi) Music Editor</h1></center>
+
+<h2>4. Window Reference Guide</h2>
+<p>
+<h2>4.1 The Main Window</h2>
+Here's a screenshot of the main window, with a standard MIDI file already
+loaded:
+<p>
+<img src="main_window.jpg"</img>
+
+<p>
+The main window is basically divided up into two panes separated by a
+veritcal bar that is movable horizontally. These two panes together
+are called the Arranger.
+
+<h2>4.2 The Arranger</h2>
+<p>
+The left pane of the Arranger describes each track in detail,
+while the right pane describes each track graphically.
+
+<h3>4.2.1 The Left Pane</h3>
+<img src="left_pane.jpg"</img>
+<p>
+The left pane details the following information for each track:
+<ul>
+ <li>A -??
+ <li>M - Mute the track
+ <li>C - Defines whether the track is one of MIDI, Drum or Wave.
+ <li>Track - A freely-editable track name.
+ <li>Ch - Defines which MIDI Channel this track plays on.
+ <li>Port - Defines which MIDI port this track plays on.
+ <li>T -??
+</ul>
+
+You can select which track is currently "active" by simply clicking
+on the track.
+<p>
+When a track's M column is clicked, that track is marked as Muted with
+a red circle and upon playback that track will not be heard. To hear
+the track, click on the M column for that track again.
+<p>
+Right click on the C column for a track to declare the track to be of
+type MIDI, Drum or Wave.
+<p>
+The Track column is free-form, meaning that a double-click on a track's
+Track column will allow you to enter a descriptive name for the track,
+for example "Hot Lead Guitar".
+<p>
+The Ch column for a track is changed by right-clicking to increment the
+number or middle-clicking to decrement the number. It's generally a
+good idea to keep differing instruments on different MIDI channels and it's
+considered common to have the drum kit on channel 10.
+<p>
+<h4>4.2.1.1 Track Info</h4>
+<p>
+At the bottom of the left pane, you'll see a little button labelled
+"TrackInfo". When clicked, the standard information plus more about
+the currently selected track is presented:
+<p>
+<img src="track_info.jpg"</img>
+<ul>
+ <li>Track Name
+ <li>Channel
+ <li>Transpose
+ <li>Delay
+ <li>Length
+ <li>Velocity
+ <li>Compr
+</ul>
+The bottom half of the TrackInfo display describes MIDI channel information:
+<ul>
+ <li>MIDI Instrument
+ <li>H-Bank
+ <li>L-Bank
+ <li>Progr
+ <li>Volume
+ <li>Pan
+</ul>
+
+<p>
+Operations that can be performed on the left pane:
+<table border=1>
+<th> <strong>Track Functions </strong></th> <th>&nbsp;</th>
+<tr><td>Select Track<td>
+ <ul>
+ <li>Left Mouse Button
+ </ul>
+<tr><td>Select multiple Tracks<td>
+ <ul>
+ <li>Shift + Left Mouse Button
+ </ul>
+<tr><td>Change Selected Track<td>
+ <ul>
+ <li>Key Up: previous Track
+ <li>Key Down: next Track
+ <li>click with left mouse button in name field
+ </ul>
+<tr><td>Move Track<td>
+ <ul>
+ <li>Drag with left Mouse Button
+ </ul>
+<tr><td>Create New Track<td>
+ <ul>
+ <li>Pulldown Edit<br>
+ <li>Ctrl T
+ <li>double click in empty track
+ </ul>
+<tr><td>Delete selected Track(s)<td>
+ <ul>
+ <li>Pulldown Edit
+ <li>Del
+ </ul>
+<tr><td>Rename Track<td>
+ <ul>
+ <li>doubleClick with left mouse button
+ on track name
+ </ul>
+<tr><td>Change Midi Channel<td>
+ <ul>
+ <li> left mouse button increments midi channel
+ <li> middle mouse button decrements midi channel
+ </ul>
+<tr><td>Select Midi Port<td>
+ <ul>
+ <li> click with right mouse button on portname;
+ select from pulldown menu
+ </ul>
+<tr><td>Mute Track<td>
+ <ul>
+ <li> click with left mouse button on "M" field in
+ Tracklist
+ </ul>
+<tr><td>Solo Track<td>
+ <ul>
+ <li> click "Solo" button
+ </ul>
+</table>
+
+
+<h2>4.2.2 The Right Pane</h2>
+<img src="right_pane.jpg"</img>
+<p>
+The right pane desribes each track graphically. Time moves from left
+to right and is measured in beats that are referenced at the top of
+the right pane. Tracks are displayed vertically in boxes, called
+"Parts", that depict where MIDI and audio data are played.
+<p>
+The small sliders that are adjacent to the bottom right corner affect
+the view of the right pane in terms of "zooming". The vertical slider
+affects the height of the tracks, while the horizontal slider affects
+the width.
+<p>
+Operations that can be performed on the right pane:
+<p>
+<table border=1>
+<tr><td><b>To do this...</b><td><b>...Do this</b>
+<tr><td>Select Part<td>Left Click
+<tr><td>Select multiple parts<td>Shift + left click
+<tr><td>Change selected track<td>Key left: previous part, Key right: next part
+<tr><td>Move part<td>Drag with left mouse button
+<tr><td>Create new part<td>select Pencil tool; draw with left mouse button pressed, OR set left and right mark; double click on track
+<tr><td>Delete selected part(s)<td>select rubber tool; click part to delete
+<tr><td>Rename part<td>double click with left mouse button on part
+<tr><td>Copy part<td>drag with shift + left mouse button
+<tr><td>Cut part<td>select Cut Tool; click on part to cut
+<tr><td>Glue part<td>select Glue Tool; click on part to glue with next part
+</table>
+<p>
+
+<h2>4.2.3 The Button Bar &amp; Menus</h2>
+<img src="button_bar.jpg"</img>
+<p>
+Across the top, above the Arranger, are a menu system, icons and other
+widgets that you use to manipulate your project. Most of these are
+self-explanatory, while others are described later in this document.
+
+
+
+</qt>